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April, 2015 Monthly archive

edwin's print

 

We The Commuters
Edition of three, plus one artist’s proof
S$1200 per print*

* By purchasing a print, you are making a direct and important contribution to the publications of twentyfifteen books. Without your generous support, the financial burden of self-publishing them will be significantly higher for us.

About the print:
– Paper size: 17″ x 22″
– Image size: 13.8″ x 20.8″
– Each print is carefully made with Epson professional printer, using original Epson inks.
– The paper for this edition is Museo Silver Rag, 300gsm.
– You can find out more about the paper specifications for Museo Silver Rag paper here.
– Signed with title, edition number and year, in ink, recto

Singapore shipping:
– Free hand delivery for any Singapore addresses.
– Each print is delivered in top grade Mylar or equivalent.

Overseas shipping:
- we will work with individual buyer on the best shipping option.
– Additional charges to be borne by buyer.
- Each print is delivered in top grade Mylar or equivalent, with additional protection for shipping

More info about digital printing in general:
- Wilhelm Imaging Research is the world authority on stability and preservation of traditional and digital photographs.

How to make an order:
Place your order by emailing me at printsale@twentyfifteen.sg

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Edwin Koo was born in Singapore in 1978. He graduated with first class honours from Nanyang Technological University’s School of Communication Studies, specialising in journalism. In 2003, he stumbled into photography when he landed a full-time job as a photojournalist in the now-defunct tabloid Streats. In 2008, after five years as a news photographer, he left the newsroom and moved to Nepal with his newly-wedded wife. As an independent documentary photographer, Koo focused mainly on issues of human displacement and a lost sense of identity. His pet subjects included Tibetan exiles, Maoist guerrillas and Pakistan’s Swat Valley.

In 2011, Koo returned home. His first personal project in Singapore – dedicated to his newborn son – was to document the historic 2011 general elections. This culminated in his first solo exhibition, Notes from a Singapore Son (2011), a body of work reflecting the currents of change in Singapore’s political landscape.

Koo’s work has been recognised internationally. In 2009, he was awarded the Getty Images Grant for Editorial Photography and his work on Pakistan won a third placing in the UNICEF Photo of the Year. In 2012, he was awarded the ICON de Martell Cordon Bleu, which recognises a Singaporean artist for an outstanding body of photographic work.
   

The portrait of Edwin Koo was drawn by Flee Circus.

To purchase a copy of Transit by Edwin Koo, please visit:
http://twentyfifteen.myshopify.com/collections/photographers-folios/products/transit-by-edwin-koo

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